Engaging in a constant fast-forward world means that we lose connection with the rhythms of the natural world around us. Recently, things have seemed to slow down as many of us have adapted to working from home. People are cooking, spending more time with family, going on long nature walks, and embracing all that life has to offer during a time of uncertainty. Re-connecting with these rhythms of the natural world is exactly how Aria Stone Gallery began.
In a fast-selling world, no matter the industry, companies want to bring in products as quickly as they push them out. More often than not, this means sacrificing the quality of their products. At Aria Stone Gallery, our focus is to present only quality material after a long evaluation process. This process of Aria Stone Gallery’s owner and industry expert, Vinny Tavares, hand-selecting each material has brought back re-connecting to these rhythms of the natural world.
Embracing the Slow Movement
The Slow Art Exhibit in Stockholm intrigued Vinny since all the art on display took months and years to create with the value of quality over quantity. This value of slowness from slow art came to inspire how Aria Stone Gallery would select each material.
Obtaining the natural stone seen in our gallery is a long, but necessary journey. Natural stone itself takes hundreds if not thousands of years to come to fruition through the geological formation and the extraction process in quarries such as those in Carrara, Italy is an art form passed from generation to generation. But the journey does not end there. The last step of this long and thoughtful process is Vinny, hand-selecting each stone at the quarry as mentioned earlier, based on rarity, beauty, and quality, much like an art appraiser inspecting a work of art.
Advantage of Slowing Down
Carl Honore, an advocate of the Slow Movement said, “We’re so marinated in the culture of speed that we almost fail to notice the toll it takes on every aspect of our lives — on our health, our diet, our work, our relationships, the environment, and our community.” With technological advances, the world is at a constant fast forward motion and we lose the connections we once had not that long ago. Whether this is with our food, family, culture, or where we live.
With our gallery-like showrooms, our clients get to take time to slow down, walk the aisles, and be present in the moment while they browse our selection of natural stones.
The Slow Movement is the opposite of a fad, it’s simply self-care. To stop rushing through our lives and instead, spend the time actually living it. Re-connecting with natural rhythms and smell the roses.
As Aria has taken a great step forward with the recent announcement of an e-commerce platform, it is important to take a moment and remember where this great journey began. The origins of Aria are deep-seeded in an appreciation for art, design, and natural beauty through the Slow Art Movement.
The Borghini quarry is one of the oldest operating quarries in the Carrara region in Italy. The Borghini family has owned the quarry for many years and produces the most sought after Italian marble in the world – the Calacatta Gold Borghini marble. Therefore, Architects in Beijing to New York are eager to see what the quarry will extract next.
The History of Calacatta Borghini Marble
In the heart of the Apuan Mountains is the Borghini quarry known as the Carrara Region in Italy. This Italian marble was the primary source of stone for Roman Architecture and Renaissance artists, including Michelangelo. Known for producing snowy white marble is unlike anything else seen in the world. According to the New York Times, the Calacatta Borghini quarry is one of the oldest quarries in the Carrara region. In fact, some Borghini quarry’s cuts can go back to the Roman Times.
The Borghini marble, distinguished by its stark white background, and consistent, delicate grey veining, makes this stone so rare. Occasionally, the Borghini quarry will extract Calacatta with gold veining or gold hues. Because of the rarity of these hues, this marble creates an incredible statement slab. The consistency and large size of the Calacatta Borghini Diamond make this marble exceptionally rare find.
Where does Calacatta Borghini Marble come from?
The Calacatta Borghini marble quarry, in the opulent Apuan Alps in Italy, comprises two primary areas: the side of the mountain and the interior of the mountain. The side of the mountain is the more common extraction area. However, the inside of the mountain is home to the rarest and prestigious Borghini Gold marble.
Calacatta Borghini Marble Production
Today, the production of Borghini marble in the Apuan Mountains is very limited. This makes the stone so rare and why so many people want this marble beauty. For example, typically sold by each cubic meter. However, Borghini blocks sell by the ton. This makes each pound of the Borghini marble highly valued in the marketplace.
Where can I find Calacatta Borghini in the United States?
Because of the rarity of the Borghini marble, there are few retailers in the world – let alone the United States who sell this marble. Therefore, exotic stone suppliers, such as Aria Stone Gallery, will sell Borghini only a few times a year. Aria Stone Gallery also offers the opportunity to visit the Calacatta Borghini quarry in Italy. This allows you to personally hand-select your stone from the same mountains that Michelangelo admired so dearly.
Much like any grand discovery, the unearthing of the rare and elegant Calacatta Macchia Vecchia did not occur overnight. Perfecting this beautiful Italian marble meant overcoming many trials, struggles and technological setbacks of the time period. Nonetheless, this unique stone comes with a backstory full of culture, perseverance and in the end, incredible success.
When Was Calacatta Macchia Vecchia Discovered?
The Calacatta Macchia Vecchia quarry is located among the “Marble Mountains” of Italy, within very close proximity of the town Torano. Although the exact time period is unknown, we do know that the discovery of this quarry was between the end of the 17th Century and the beginning of the 18th Century.
Excavating Calacatta Macchia Vecchia Marble
At the time of discovery, the excavation of marble blocks was very limited, as quarry crews did not have access to suitable machinery or tools. They utilized wedges and ice-axes, and were therefore only able to extract very small, misshapen blocks that required squaring by hand. Afterward, the marble blocks were loaded in wagons or carts dragged by oxen. This process was extremely complicated and physically demanding, and the quarry ceased production after years of struggling.
In the 1950s, the Macchia Vecchia quarry reopened when the helicoidal cable, a primitive version of the wire saw, was discovered. The first official owner of the quarry, Mr. Serri, worked tirelessly for many years to excavate pristine blocks of Macchia Vecchia without successful results. The low quality of marble produced combined with lack of technology eventually forced Mr. Serri to shut down the quarry and retire.
After 40+ years of extensive research and technology development, new owners Mr. Ribolini and Mr. Santi re-purchased the quarry and spent the first 5 years not excavating, but cleaning. They understood that in order to start fresh and produce the best possible quality of marble, they had to keep the levels clean and safe for their crews. They were finally provided with essentially a clean slate, and conditions in which they could extract large, blocks of white marble with luxurious flowing veins of gold and grey.
Calacatta Macchia Vecchia Production and Use Today
As production increased and technology continued to develop, Calacatta Macchia Vecchia marble took off and people from all over the world longed to use it and experience its grandeur. Today, Mr. Santi and Mr. Ribolini remain active owners of the Calacatta Macchia Vecchia marble quarry and extract between 2,500 and 2,800 tons per year. To prevent extensive damage to the surrounding landscape and ecosystem, they limit production in this specific area of the Marble Mountains, making Calacatta Macchia Vecchia a luxury and privilege to witness.
Calacatta Macchia Vecchia marble has dramatically increased in popularity within the design world, as it resembles an elegant impressionist painting and flows well with all aesthetics. Its clean white canvas and golden undertones make a very attractive option for kitchens, bathrooms and bookmatched feature walls. Since Calacatta Macchia Vecchia is a marble, we do recommend sealing this stone if you plan to use it in an area of the home that gets a lot of traffic. This will protect it from scratching and etching, and keep it looking beautiful for years to come.
The world renowned Milan Design Week is right around the corner, and we couldn’t be more thrilled about this incredible and inspiring event. Taking place from April 17th to the 22nd, designers, artists, architects and innovators alike will gather in Milan to exhibit their latest collections in Italy’s shimmering city of design.
In a country where natural stone (primarily marble) has long been at the heart of design, it is inspiring to see plentiful use of stone in furniture, art and architecture in new and modern designs. Here is a sneak-peak into some of the exhibits from world renowned design studios and the new and unexpected ways they use natural stone.
Modern Designs with Colorful Natural Stone
Over the past year, there has been a large shift with many designers and homeowners searching for colorful stones that highlight unique personality to their designs. The desire for color is increasingly prevalent among furniture design, as seen in the design studio, objects of common interest. This New York/Greece based design studio focuses on creating furniture pieces and still life objects that inspire materiality, process and concept. During their exhibition in Milan Design Week, the studio will be collaborating with Matter Made on a new series from its “Relativity of Color” collection, and also with Bloc Studios, which debuts three new marble collections.
Raw, Unfinished, Earthy Natural Stone
A Lot Of Brasil is a revolutionary and high-end furniture design studio based in São Paulo, Brazil. This studio focuses mostly on technology and design innovation, frequenting the use of raw materials to create eco-friendly furniture pieces that are both functional and beautiful. They will be featuring a wide array of new marble, metal and wood products, designed by the company’s talented collaborators at Milan Design Week 2018.
Intricate, Geometric Marble Floors
Aria was so inspired by this highlight on the Milan Design Week website, featuring marble, porcelain and stone floor tiles, that we had to share! Photographer Sebastian Erras, has traveled around the world to capture the most beautiful floors on camera, and change the perspective of how we look at them. Italy and many areas of Europe are famed for hand-crafted tiles arranged into extravagant patterns on floors everywhere. Since flooring can oftentimes be overlooked, we encourage you to look down and admire the stone beneath you during Milan Design Week!
Eye Catching Marble with Artisan Woodwork
Peg Woodworking, based in Brooklyn, NY, is a one-woman-run studio created by designer and woodworker Kate Casey. Inspired by Peruvian and American Indian weaving and a focus on form, function, color and pattern, Casey’s intricate and beautiful pieces combine geometric clean lines with the natural beauty of Earth-found elements – such as marble and wood. Aria Stone Gallery has collaborated with Peg Woodworking on a few stone projects, such as the White Beauty Satet Coffee Table and Portoro Gold Totem Table, and we are so thrilled to see this amazing artist and her newest collections featured at Milan Design Week.
April Hannah is a sculptural-based designer, whose inherent interest is transforming material through form. April examines the creative process across media and through multiple generations. The structure of The Lotus Collection was discovered by April while playing with her son, as she noticed how a particular modeling toy of his interlocked and transformed. After borrowing an appropriately shaped form from one of her large Totem sculptures, April produced a prototype of The Lotus Dining Table with six, interlocking plywood pieces.
“I like to think the functional pieces I create exhibit a simple sophistication and playful nature. I strive to transcend the banal and create an unpredictable universe of meditative energy and childlike wonder.”
– April Hannah
The process April uses to create paintings and sculptures is an attempt to mimic the systems of growth and evolution found in nature. Using basic materials (charcoal, wood, paper, canvas) and elementary mark making techniques (scribbling, tracing, repetition), forms organically emerge from within the chaos of creation. April sees these resulting forms as “DNA blueprints” for further exploration – each form evolving into another within each painting or sculpture. The technique is simple and the process is meditative, and like nature, an underlying intelligence exists within.
The Lotus Collection
Each consisting of six interlocking pieces, the Lotus Dining Table and Lotus Cocktail Table classically evoke the mandala form of the lotus in unexpected stone.
“The form of the Lotus Table, like the lotus flower rising above the surface of the muddy water from which it grows, takes shape within a muddled web of chaos. The lotus flower symbolizes spiritual awakening and enlightenment. In Taoism, as in nature, paradox is a driving force. It is the emptiness of the vase that holds the water. Being is non-being. Serenity is found when we let go and just be. This is how I approach enlightenment.”
– April Hannah
After working for several years as a graphic designer in the city where she was raised (Erie, Pennsylvania) April Hannah moved to NYC in 1999, to pursue an MFA at the School of Visual Arts (SVA). Upon graduation, Hannah established a studio in DUMBO, Brooklyn, where she produces abstract paintings and sculptures inspired by patterns and networks found in nature and urban environments.
For more information on the Agata Granite Lotus Dining Table, or if you are interested in customizing the Lotus Dining Table using one of Aria Stone Gallery’s natural stones, contact the Aria Stone Gallery showroom in either Houston or Dallas for pricing and customizing options.
Modernism Week in Palm Springs is the ultimate celebration for designers and architects who appreciate mid-century architecture and design, as well as contemporary thinking in these fields. Mid-century enthusiasts from around the world flock to Palm Springs to learn and be inspired by the breathtaking modern architecture and marvelous views of the surrounding Coachella Valley Desert. Here is some inspiration from Palm Springs to celebrate Modernism Week and the architects and designers who created this paradise in the desert.
The Parker Mini Bar
The Parker Mini Bar is quintessential Palm Springs. The mini bar was designed to look like a jewelry box and the mirrored walls reflect the ambient lighting and the emerald, marble cladded bar and walls similar to Aria Stone Gallery’s Verde Aurora marble. The jewel toned color palette is perfect for an intimate gathering after a day of sitting poolside.
The details aren’t lost in the Parker Mini Bar as even the ceiling is tiled and and trimmed with matching green marble to match.
Designed by Architect, Hugh Kaptur, this marble bookmatch shower creates a stunning focal point for this mid-century modern Palm Springs bathroom. The earthy, golden veins are a perfect compliment to the desert landscape and surroundings that this area is known for.
Donald Wexler’s Steel House #4
This stunning home was originally designed by one of the original masters of Palm Springs, Donald Wexler. Wexler created many notable homes and buildings in Palm Springs in the Desert Modern style. This style joins the indoors and outdoors in a very minimalistic way.
While even Wexler noted that his homes are mostly glass, the “Steel House #4” uses marble and wood to its full advantage. This kitchen was restored in the spirit of Wexler, keeping in mind natural materials such as dark wood and white as well as plenty of marble, reflecting the mountainous views that surround.
Outdoor Lounge with Feature Marble Fireplace
This stunning Calacatta Vagli marble bookmatch feature wall and fireplace backdrop make this modern outdoor lounge welcoming and cozy. The bookmatch subtly centers your eye on the warm atmosphere and creates a perfect ambiance for gathering with friends and family.
Last May in SoHo, New York City, Aria Stone Gallery opened an exhibit to the public to celebrate the launch of our new online storefront. The exhibit was named after our mantra, #STONEISART. Since Aria has long believed that natural stone is art in its own right, we wanted to celebrate artists and designers who also see the beauty in natural stone and incorporate it frequently into their designs. After speaking with the artists and designers both one-on-one and through a conversational open panel discussion, we have learned more about the process in which each artist develops their work and why they chose stone as their preferred medium.
Peg Woodworking: Finding Inspiration through Material Exploration
Kate Casey is a Brooklyn based designer and owner of Peg Woodworking. With a strong background in sculpting and fabrication, Kate designs each piece of furniture with an eye for detail and the utmost attention to form and function. Paying tribute to the clean lines and intricate weaving found in Shaker and Scandinavian design, Peg Woodworking provides a contemporary take on the traditional.
While the root of what Kate designs is primarily based in carpentry and woodworking, she often incorporates different textures and materials in her projects to create a well balanced collection. Working with and exploring new materials is Kate’s lifeblood and inspiration. Kate, expands on her formal training by learning from educational outlets such as YouTube, where she self-taught herself how to expertly craft Peruvian and American-Indian style weaving. After the success of these items, Kate began a new chapter: natural stone. Kate instantly connected to the natural, unique colors and patterns of marble and is drawn to the fact that no two pieces are alike.
As for her latest endeavor, The Bastet Collection, the side tables are constructed with white oak or blackened ash using a barreling technique, similar to the ancient craft of wine barrel creation. The tops of the tables are adorned with slabs of White Beauty or Silver Wave.
April Hannah: Transforming Materials through Form
April Hannah is a sculptural-based designer, whose inherent interest is transforming material through form. April examines the creative process across media and through multiple generations. One afternoon, April found herself intrigued by the smart way a particular toy of her son’s interlocked and transformed. This pattern gave way to April’s creation of her Totem collection. April’s process begins by using her drawings and paintings to create a “DNA blueprint” for each individual sculpture. The single shape of the template is then reproduced onto multiple pieces of wood using charcoal, each shape interlocking with the other to create a seamless and sculptural form.
The totems are all three-dimensional objects that are an exercise which, “strives to transcend the banal and create an unpredictable universe of meditative energy and childlike wonder.” April’s newest expansion upon her totem collection comes in the form of the Lotus Cocktail Table. The elegant table is designed and created using the same process as the totems, using Nero Marquita or Statuary marble, and fashioned with a glass top.
A Space Studio: Connecting Nature and Modernity through Natural Stone
Anna Aristova and Roza Gazarian of A Space Studio are the perfect duo to create modern, natural works of art that are as beautiful as they are unique. The pair finds their inspiration “in a constant balance of opposites,” by pairing raw, heavy natural stone with delicate steel or a romantic gold leaf. Bringing earthy elements into the home in a thoughtful and beautiful way can be a challenge, especially in today’s growing urban landscape. Through knowledge and intuition, the team has found a way to “create a vast and open space” to escape through their natural collections.
In the recent FOUND collection, the stone is sourced and left unpolished directly from the quarries in the mountains of Turkey. These raw, organic stones are then fashioned and manipulated in ways that create a modern piece of art.
Robin Antar: Using Stone for Healing and Preservation
Robin Antar is a sculptor who primarily uses natural stone to create her works of art. During our artist panel discussion, Robin recounted how she carefully selects natural stone based on the vision of her design. Robin’s art ranges from abstract to impressionistic, and how she selects her natural stone varies based on the design and the story that she is trying to tell.
For example, Boxing Gloves, is made entirely of Carrara Marble, and the veining gives a soft, natural component for a powerful object. Robin’s “passion is to create virtual records of cultural and personal events” that have impacted the artist greatly. The permanence of stone is the perfect platform for the artist to transform her emotions and create “lasting expressions of art for others to appreciate.”
Erickson Aesthetics: Studying Art and Fine Furniture with Stone
Furniture designer, Ben Erickson, is known for his ability to create modern designs using unexpected geometric patterns that “draws on the line of fine art furniture and tongue-in-cheek intentionality.” In his latest collection, Pyramids, Ben uses marble and brass to create a highly inspirational side table composed of two marble pyramids to create an hourglass figure, held together by a brass pole. True to Ben’s fashion, the pole also allows for the side table to swivel, giving the exquisite table a playful touch.
All of Ben’s furniture is carried out with the highest quality of craftsmanship and materials. And notably, many pieces that Ben designs all feature a certain element of surprise that make the pieces of art relatable and draw the viewer in to create an emotional connection.
Interior Designers often look to fashion and the different fashion week events around the world to get a sense for how styles are constantly evolving and pushing the envelope. Oftentimes, fashion styles are translated into the design world. Recently, Hong Kong fashion week veteran, Winnie Witt, created a collection in where fashion design was created in a way that highlights many of the same design principles that interior designers frequently use.
Winnie Witt’s Trinity Collection, as seen in Aria Stone Gallery’s #STONEISART exhibit, closely examines three pillars of Winnie Witt’s foundation of style: geometry, body, and space. The Trinity collection is composed of unexpected shapes and silhouettes from a unique and innovative style of pattern cutting.
Witt is a master in tailoring, which can be seen in her focus bold, architectural designs that offer a full, rounded, asymmetrical silhouette. Every angle of her outfit offers a new outlook to her conceptual designs.
Using thing, gossamer-like material to showcase bold, heavy objects, Witt tests the limits of space and physics. Witt incorporated tights and jagged remnants of marble and quartzite from Aria Stone Gallery into her installation to experiment with different types of shape and weight. When the two contrasting elements of sheer tights and natural stone combine together to create a third sense of space.
In applying the concept to the design, the garment will appear flat on the surface but its design is to revolve around the body, when you look at it from the side it is a cylinder. The pattern has to revolve around so the body is circular in shape and it gives the garment space around the object.
From the architecture of the Romans to Washington D.C., the classic, permanent nature of marble has long been used throughout history as a way to preserve legacy and tell a story of power.
Today in New York City, a modern manifestation of this concept can be seen on your daily commute to work. Designed by the internationally acclaimed Spanish architect Santiago Calatrava, the World Trade Center transportation hub is the third largest transportation center in New York City. At the heart of the hub lies the “Oculus”. This magnificent piece of architecture is symbolic and stunning both below and above ground.
From below, walking into the Oculus after traveling to the transportation hub by train is a breath of fresh air. The Oculus is a wide-open space filled with grey and white marble floors, white walls, and the white structures and skylight floods the building with natural light. The massive skylight runs the length of the Oculus’ spine and plays a symbolic role in the remembrance of the victims from September 11th. The mixture of white marble and natural light evokes the feeling of peace, remembrance, and importance.
“In all weather conditions, the public will experience a subtle sense of man’s vulnerability, while maintaining a link to a higher order,” Mr. Calatrava said. “The memory of the victims will be honored and explicitly expressed through the most symbolic and significant element of the project,” he continued, “allowing people to spontaneously gather with a sense of transcendence and elevation.”
Above ground, the structure was designed to resemble a dove taking flight. Calatrava wanted the structure to evoke the image of a bird being released from a child’s hands.
Today, most of our most exotic and sought after natural stones hail from Brazil. Brazilian natural stones, most notably marble and quartzite, are famous for their unique composition, color, and natural beauty. Read more to discover the history of how Brazil came to be a major player in the stone industry.
The Gold Rush
The beginning of the stone mining industry in Brazil is believed to coincide with the beginning of the gold rush in the early 18th century. Gold was discovered in Brazil after years of economic disarray following the war against Spain and the Netherlands.
Quickly after the gold was discovered, a gold rush ensued, with people from other parts of the colony and Portugal flooding the region during the first half of the 18th century. The gold was extracted inland, known as the “General Mines.”
The Discovery of Brazilian Marble by the Italians in 1970s
In the 1970s, Italians immigrated to Brazil and discovered white marble deposits near the city of Cachoeiro de Itapemirim, Brazil. As the Italian immigrants had been mining natural stone for centuries, they were able to bring the knowledge, technique, machinery, and craftsmanship that is involved in mining natural stone. After this discovery, Brazil quickly became a major player in the stone industry.
Technological Growth and the Expansion of Natural Stone Mining in the 1990s
By the 1990s, Brazil had accumulated a large, experienced workforce in the natural stone industry. Quarries and miners gravitated towards nearby granite quarries, where they were easily able to transfer their skills of mining marble to mining granite. This expansion in resources lead to Brazil’s granite boom.
It was also during this time that Europe started to advance technology to cut and process stone, which drastically sped up up the mining process of natural stone. This new technology, coupled with the abundant resources in Brazil yet to be mined, made Brazil the largest stone exporter in the world.
The Discovery of Quartzite
With this new technology at hand, the search for additional types of natural stone to mine continued. Quarries were set up in Espirito Santo, in the North towards Bahia, and in the Northeast of Brazil. Some explorers even went inland, to states like Minas Gerais or the interior side of Bahia and Pernambuco, which led to the discovery of quartzite.
Because quartzite evolves from sand grains, it is no surprise that much of quartzite, such as Taj Mahal, is lighter in color. On the other hand, in Brazil, minerals are carried through the sand grains by groundwater, creating some of the most unique and colorful quartzite in the world. Fusion Wow, Emerald Green, and Explosion Blue are all great examples of this geologic phenomenon. Today, the most unique and colorful quartzite is being mined in Brazil.
Brazil from the 1990s to Today
Although Brazil had suffered an economic crisis in the 1990s, the stone industry was able to quickly rebound with vigor. Even today, natural stone is a leading export and driving force for the Brazilian economy.
Now, there are more than 300 export processing plants in Brazil for natural stone, as well as hundreds of quarries and blocks being exported to Italy, China, India, and Taiwan where the stone can be processed. The production now covers a large variety of stones, including granite, marble, flagstone, quartzite, slate, soapstone, serpentine, travertine, and limestone, to name a few.
Fall is right around the corner and we have carefully taken note of the best trends and styles that you will want to include in your next project.
One way to enjoy color and create a cohesive look is to start with a neutral palette and add splashes of color. The Breccia Capraia Marble is an incredible marble, known for vivid mixture of white and dark grey veining. This marble also has simple, jewel colored hues that add bursts of color to create a polished look. By adding neutral, earthy elements such as wood and your favorite colorful fall flower arrangement and you will have a lovely, sophisticated design.
The old “you can’t wear white after Labor Day” rule definitely does not apply to this modern, white wonderland. The trick for creating the perfect, crisp, clean, look without making your space feel too clinical is texture, texture, texture. Aria Stone Gallery’s Hanoi Pure White marble has flecks of sparkling quartz throughout, which adds dimension and texture to any project. Finish this project with textiles in cool, complimenting colors that are warm to the touch.
Get swept away in a colorful sea of blue. Aria Stone Gallery’s Azul Imperiale Extra Quartzite is everything you need to make a colorful statement wall that will command attention. Perfect for a bookmatch design, the veining moves over the canvas as waves on the beach, instantly transporting you back to your summer vacation during these upcoming chilly months.
Add a feminine touch to your design with pink materials and textures. With colors like Millenial Pink being at the forefront for 2017 trends, we are also seeing designers and homeowners becoming more comfortable using pink in fun and unexpected designs. One way to create a lively, unexpected design is to use a material such as Onyx Kilimanjaro, which has the ability to be backlit with an LED panel. This natural stone has pink and red hues in the sunlight and emits a warm, rich amber glow when backlit.
Stripes and lines are a favorite amongst designers for creating movement and playing optical tricks making spaces feel longer and taller. The White Macaubas Quartzite is an elegant natural stone that has a linear pattern of dark grey, creamy white, and sandy brown that will tie in your design and create that grand space you have been searching for.
Aria Stone Gallery is proud to announce that we are revolutionizing the stone industry by launching an e-commerce site, giving customers the power to choose. Allowing customers to browse in the comfort of their own homes and purchase stone directly is the first of its kind in the stone industry. But for Aria, e-commerce is the natural next step to expand and strengthen our transparent and educational approach to natural stone. Through Aria’s transparent model, the customer will have a better understanding of education on origin, rarity, quality, and price of the natural stone that they select.
On our storefront you will find high-resolution images that are expertly color-matched that give the customer a clear, visual representation of what they can expect to purchase. And with the help of our stone experts on our live chat feature, we are available to answer any and all questions that you may have about natural stone including sourcing, templating, ordering, or shipping and more for your next project.
As the first stone supplier to provide transparent pricing, “We strive to be at the forefront of the industry” said Aria Stone Gallery’s founder, Vinny Tavares. “As part of our identity we continue to push the boundaries and set the precedence of stone innovation. We were the first true gallery format stone showroom and the first to bring that concept online,” said Tavares.
Aria’s curated collection of luxurious, natural stone is sourced from the most exclusive quarries around the world. Aria only brings in first quality slabs, 100% of the time, no exceptions. Because of this fact, they are known to other suppliers as being the strictest importer in the country. Only a small percentage of blocks mined around the world in places such as Brazil, Africa and the Middle East are considered to be “first quality” slabs. This means that a slab might be structurally sound, however it will lack in the areas of color richness as well as balance in its veining and movement.
World travel, inspiration, adventure, and first-class service is just the beginning of Aria Stone Gallery’s custom “World-Class Hand Selection” program. The program is a once-in-a-lifetime excursion that gives the clients a chance to experience the behind-the-scenes process of hand-selecting stone for their special project. The journey begins with first-class flight and hotel accommodations to the Carrara region of Italy to visit the famous marble mountains. Here, alongside Aria Stone Gallery’s owner, Vinny Tavares, the clients will learn first-hand what makes a slab of marble so unique, rare, and exotic. This hands-on approach is unique to Aria and gives the clients the ability to experience all stages of stone sourcing, from mining and processing, to the selection of that perfect piece
This total immersion in the culture, led by locals and stone professionals, allows the travelers to explore the rich history, culture, and cuisine of the region from which the stone is sourced. Gaze in awe over the breathtaking views of the Carrara mountains during the day, while experiencing fine dining prepared by world-class chefs in the evening.
The memories of this trip are sure to stay with our clients forever, as they will be reminded of their amazing experience every time they gaze upon their completed project. Not many people in the world will be able to tell tales of the exact origin of their stone, and even less will be able to say they got to experience hand selecting their chosen slab(s) at the physical quarry. Aria spares no expense to ensure our customers are treated like royalty.
At the end of this adventure, you will know first-hand what it means to refer to an “Aria quality” stone and why we treat each slab as a piece of art. Come along with Aria on this one-of-a-kind journey and gain the unique insight, knowledge, and education from an industry insider and Aria founder, Vinny Tavares.
Every year, an ensemble of leading designers and architects gather from around the globe to showcase their extraordinary innovations at the prominent Architectural Digest Show in New York City. From independent, up-and-coming designers, to well-established and iconic craftsman, today’s brightest talents are put on display. While there are thousands of carefully curated products shown throughout the weekend, one evident theme was the use of natural stone in unique and creative ways.
While it is not uncommon to see natural stone in the bathroom, it is clear from I Maestri’s booth that traditional objects, such as the bathtub, are becoming sculptural works of art. Neutra’s Duo Collection, available through I Maestri uses marble and wood to draw inspiration from the “purity of water, the energy of stones, and the warmth of wood.” Designed by Matteo Thun and Antonio Rodriguez, the sculptural bathtubs are carved from a single block of Carrara marble, making them a piece of art in their own right.
The important concepts of contrast and proportion are prevalent in the modern DeMarco Dining Table by KGBL NYC. The round, two-toned, all-marble dining table features a solid statuary marble top and a nero marquina base that is both simple and elegant. This monochromatic color palette is a timeless design that will last for years to come.
Brooklyn-based newcomer, Peg Woodworking, stole the show with the Bastet end table collection, which is available in either white beauty or a black marble, similar to Aria Stone Gallery’s Port Black. The earthy combination of wood and stone is a classic mix, refreshed by confident geometric design.
Anna Aristova and Roza Gazarian of A Space Studio, also combined wood and marble to create a stunning console table. The dark St. Laurant Marble is elevated by its asymmetrical raw edge and rich color combination.
Always crossing the boundaries of art and design, Dimore Studio’s Lampada 060, is the perfect accent. The Calacatta marble base is bound together by eye-catching gold hardware, which is nicely balanced by the traditional, cream colored drum lampshade. The artistic table lamp will instantly elevate any room in the home.
Stockholm Design Week takes place once a year every February to bring design lovers together to connect and showcase their best and favorite upcoming works. This year we have picked up a few lessons from the Furniture and Lighting Fair on how to create and execute innovative spaces.
One exhibit that sets the stage and best encompasses the theme of the Furniture and Lighting Fair each year is the “Trend Exhibit.” This year, Swedish Interior Stylist, Lotta Agaton, curated an exhibit which showcased contrasting materials and colors set in unexpected ways, entitled “Contrast.” Agaton primarily used pieces that were her “old favorites in new settings,” and showed how recovering old products with new textiles or adding a statement wall color can change the personality of objects and make them new again. The lesson from this exhibit is not 0nly the products on display; but rather, how to execute contrast between objects, textiles, and furniture.
The theme of “contrast” carried throughout the entire fair. Most notably, Tom Dixon is one of the many examples of designers using contrasting textures and colors to create an overall cohesive theme that is perfectly on trend. During the furniture and lighting fair, Tom Dixon unveiled his new office furniture line that was inspired by the archetypical Victorian school desk. Below, we see the “Offcut Stool 650mm in Natural” set against the deeply rich background of a dark marble similar to Aria Stone Gallery’s Gris de Savoie.
Dixon’s “Slab Desk” is constructed of solid oak and features smooth, rounded edges. The desk demonstrates contemporary craftsmanship through a simplistic design that is beautiful in its own right. And when the oak desk is placed in front of the vitoria regia quartzite statement wall with mechanical accent lamps, the contrast in textures makes the entire space feel well balanced and multi-dimensional.
Contrast in color is also important when it comes to creating well planned design. Furniture designer and interior architect, Gam Fratesi, worked with Gubi to create custom furnishings for Paris’ House of Denmark, which was launched as a collection at Stockholm Design Week. The collection is refined and classic with nods to Mid-Century Danish design combined with elements of traditional Parisian aesthetic. In the bar of the restaurant, the designers chose to pair a strong, dark natural stone with a light oak bar and linen “Beetle” barstools. The white and dark green marble floors further annunciate the contrasting colors through its chevron pattern.
Contrasting colors can be executed on a smaller scale when it comes to furniture. For example, Fratesi’s “TS Table” with a black steel base and white marble surface can easily be incorporated into any small breakfast area with ease.
Washington D.C. was established in 1790 when an act of Congress authorized a federal district along the Potomac River. The area of land measured 100 square miles in which to build a federal center that would facilitate the new government. George Washington enlisted Pierre Charles L’Enfant, a well established French engineer and architect to draw the plans for a grand capitol.
L’Enfant was given the great opportunity to imagine a capitol from scratch as the land proclaimed as Washington D.C. was mainly cow pastures and marsh land. We can still see many of L’Enfant’s envisions today, from the grid streets named after each state, wide avenues, and many public squares. In fact, one of L’Enfant’s main ideas was to create to the “public walk” in as the centerpiece of the town where all citizens could gather to express and exchange ideas with the nations leaders. Today, this is known as the two mile long National Mall, which stretches from Capitol Hill to the Potomac River and is topped with the historic Washington Monument.
The beauty of Washington D.C. is the expression of leadership, historical influence, and democratic values through its architecture. The neoclassical principles of simplicity and symmetry are seen from the White House to the Capitol Building, where you can see inspiration drawn from Greek and Roman civilizations. The tall marble columns move the eye upward, while the intricate details of the facade add visual interest.
Sandstone was primarily used during the initial construction in 1790 as the infrastructure and technology to transport marble was not yet available. However, by 1816 marble was being quarried and transported across country by railroad and even shipped across the Atlantic Ocean from the Carrara Region in Italy. The floor-to-ceiling marble design of the capitol building was achieved with the help of nearly one dozen states.
Marble is often favored among sculptors to create works of art as it is composed of fine grain that make it easier to sculpt details. Marble is easy to care for and can be used indoors or outdoors and grows more durable as it ages. The Lincoln Memorial and the Tomb of the Unknown Solider are two of the most recognizable sculptures in Washington D.C., both with marble provided by the Yule Marble Quarry in Colorado.
Deep in the Upper Crystal River Valley in Colorado, just over the mountain from Aspen, lies the town of Marble – a small town with a big history. Around the 1870s, during the great Western Expansion, prospectors traveled to the area in search of gold and silver in this small Colorado town. While their efforts over the next decade did not yield them much success in this endeavor; they stumbled upon an unexpected treasure – one of the largest and purest deposits of marble in the world. This stunning revelation was declared “remarkable” and “flawless”. By 1899 the town of Marble, Colorado was incorporated.
In 1905 major development began when plans for the Yule Marble Quarry were funded from a $3 million investment from Col. Channing Cheek with help from the Rockefeller family. And from here, the word spread that “the Marble Age is here” and the population of the town and the quarry began to expand. During this rapid expansion, the town boasted the world’s largest marble deposit and the world’s largest building under one roof. Between 1912 and 1917 the population increased and the town saw a boom in population up to 1,400 people.
To this day, five grades of marble are still quarried at the Yule Marble Quarry: Calacatta Lincoln, Calacatta Gold Extra, Calacatta Golden Classic, Statuario Colorado, and Aspen Grey. The Calacatta Lincoln is by far the quarry’s most prestigious and sought after material. All Yule Marble shares the common characteristics of smooth texture, homogenous color, and a luminous surface. Characteristics such as these caught the attention of architects across the country, and especially of those commissioning projects and monuments in Washington D.C. The Yule Marble Quarry completed the prestigious task of sending marble to Washington D.C. to build the Washington Monument. And shortly after, architect, Henry Bacon, loved the marble so much that he (successfully) urged that it was used to clad the entire exterior of the Lincoln Memorial– which, in fact, gave this material it’s infamous name.
The town and quarry saw a loss in population and revenue around 1917, when most of the Italian and Austrian workers returned home to fight in WWI. But in 1930, business increased when the quarry was contracted to build The Tomb of the Unknown Solider forArlington Cemetery. At the time, this was the largest and purest marble stone to be extracted.
In 1941 The Yule Marble Quarry was closed due to declining demand at the brink of WWII. As part of the war effort, the tracks and equipment were taken and sold for scrap. The once bustling quarry, which held so much promise, continued to lay dormant without much demand or interest once soldiers returned home.
As of 2011, the quarry is owned and operated by Mr. Enrico Luciani. Originating from the Carrara Region of Italy, his primary goal is to translate the tried-and-true tradition of the Italian Carrara methods to the Colorado Yule Marble Quarry. Luciani’s company, R.E.D. Graniti, took over operations and ushered in the quarry’s current mini-boom. In 2012, they started removing stone from a new site just up the slope, where quarry master, Stefano Mazzucchelli, located a new vein of stone in the mountain and called it “Lincoln Gallery”, to honor the Italian/American connection. This new vein, referred to as Calacatta Lincoln, is now a worldwide, top-selling stone and is celebrated as one of the most purest marbles.
Calacatta is, arguably, the single most sought-after grade of marble in the world! This historic stone features a clean, white background with thin grey and taupe veins with a homogeneous texture. It makes for gorgeous countertops, flooring, statuary, and sculpture, as witnessed in the Lincoln Memorial. Calacatta Lincoln is not only the most beautiful white marbles, it is a piece of US history.
Aria Stone Gallery’s world class hand-selection program is a once in a lifetime excursion which gives the clients a chance to experience the behind-the-scenes process of hand selecting stone for their special project. On this exploration, travelers will visit Italy’s most exclusive quarries to personally hand select natural stone from the world renowned mountains of the Carrara Region.
Experience and select the materials for your next project directly from the source. Not only will you leave with a sense of accomplishment, but also with a personal story and memories to last a lifetime.
Italian design has long been the industry leader in combining form, function, and fashion in an innovative and exciting way. Home to a large portion of the world’s finest natural stone, it is no surprise that incorporating earthy tones with luxurious, sleek design is synonymous with the Italian designer. Many flock to the famed Milan Design District to gain inspiration and learn what the industry leaders have in store.
Seamless, pure form is seen in this bathroom vignette in the heart of Milan’s Design District. The natural stone is incorporated throughout all aspects of this design from the countertop and backsplash, to details in the basin of the sink, executing a seamless finish.
Italians have long mastered the art of manipulating natural stone into geometric spheres and pairing it with minimalist, utilitarian hardware. Here, modern hardware artfully casts simplistic shadows upon the stone. The vertical lines of the floating shelves and the cascading faucet creates a sleek and stylish impression as it draws the eye upward, while at the same time preserving its efficiency and function.
Onyx is a versatile stonematerial to use as it has translucent, layered cryptocrystalline calcite, which makes it ideal for incorporating in lighting installations. This onyx gives new life to its surroundings in a multi-level chandelier, casting a warm glow and illuminating the surrounding textured wall art.